Two limited Edition, timed & Signed Prints

Ends 14 feb 2026, midnight

00 Days
00 Hours
00 Minutes
00 Seconds

Double Limited Edition Print bundle

No. 2 and No. 3 : Don’t look and I get to decide

Signed and numbered

No.2 :40 x 26cm, ready to frame
No.3 :40 x 30cm, ready to frame

Archive Quality.

£80.00
  • “No.2 Don’t look is about potential. I feel this painting every time I surface from depression and get the gulp of ‘you’re worth it’ and ‘you’re enough’. Feeling not good enough, or rejected at a level of family can make simply being yourself exceptionally difficult around anyone. While creating this I was feeling deeply about what I have personally endured. It looks at the reality that we actually shine, and very brightly - that is, when you’re turned on by whatever turns you on. Perhaps I am a superb, vivid, alive creature with all the glowing potential in the world.

    It’s a shame that feeling good, and showing it, also causes you to shrink again. It causes us to pull back, be embarressed, fit in. You become smaller again; a deliberate choice in size of this piece was made to show this in one way, and that your field of connection also grows smaller. You don’t fit into the version of yourself you’ve been portraying anymore.

    This piece is a reminder that the glossy, vivacious version of each of us is in there - and as you do uncover yourself, you may also scream to be covered up. What if they judge? Well, they may not speak to you, or fuck you off entirely, actually.

    That is a good thing, although finding a place within yourself where this is okay is so difficult. We’re mammals driven by connection, after all. But the others like you are out there, it’s just a tinier home. ”

    “No.3 I get to decide is a bold exploration of stopping others in their overstep and choosing for the self. Making the conscious decision to say no. Making a deliberate choice to trust your own mind and express that you don’t want something. It’s about listening to your own code, your own inspiration.

    In the throws of my life, because I am creative, I have had others frequently tell me what I should be doing. It’s not uncommon for creatives, as it’s a fluctuating career branch that points to being poor and struggling - very untrue in itself, but not to digress. People tend to offer unsolicited advice because you’re not doing things the way they think you could be. Or they way they would. To my shame, and pleasing tendencies, I have followed plenty of this advice when I have not resonated with it, sometimes for years, trying to make some sort of living and to please others.

    When I follow this path I’m actively circling the drain - mentally, so to speak. I break out of it from time to time. But I know I need that space. To create, to express the way I need to. I don’t make art because it’s just nice. I make it because I have to. Like many, I’ve held my tongue when being told what I must do because being perceived as a difficult (female) artist would be such a terrible crime.

    This work was a meditative practice on perceived control, perfectionism and thinking about my responsibilities. I wanted to hone in on the sense of what I want and need in an artwork. Not for anything, not to be manipulated or controlled in any way to make money - it exists only to be itself. We need reminding of that sentiment throughout society, in my opinion. Some might say it’s not finished, but they would be absolutely wrong. Its future is still ahead, wild and undone, but it is perfect just as it is. It doesn't need to be complete to be complete.

    For the record, I fucking hate being told what to do.”

    - Karlee Hankin

  • Timed prints are never sold again and only run for a short time. These prints will be available for only three weeks.

    Each print is only produced for the collector that places an order. The archive print is signed and numbered in order of sale; if you are the first to order you will receive number 1. The second order will receive number 2, and so on.

  • Tax is calculated within the price.

    Ordering from outside the UK:

    If you are ordering a print from outside the UK, please expect a further shipping invoice to be sent to you. An extra invoice may be required to top up delivery to your chosen delivery country. This invoice will be sent via email after purchase. The invoice fee will off-set the delivery price already paid, and only include a top-up fee. The artwork will be released for delivery once this invoice is settled, after the final timed print day ( 5th of January 2026). For any extra information, or to have shipping costs calculated before purchasing, please contact the merchant directly for an accurate delivery fee.

No. 2 Don’t look Limited Edition Print

No. 2 Don’t look

Signed and numbered

No.2 :40 x 26cm, ready to frame

Archive Quality.

£45.00
  • “No.2 Don’t look is about potential. I feel this painting every time I surface from depression and get the gulp of ‘you’re worth it’ and ‘you’re enough’. Feeling not good enough, or rejected at a level of family can make simply being yourself exceptionally difficult around anyone. While creating this I was feeling deeply about what I have personally endured. It looks at the reality that we actually shine, and very brightly - that is, when you’re turned on by whatever turns you on. Perhaps I am a superb, vivid, alive creature with all the glowing potential in the world.

    It’s a shame that feeling good, and showing it, also causes you to shrink again. It causes us to pull back, be embarressed, fit in. You become smaller again; a deliberate choice in size of this piece was made to show this in one way, and that your field of connection also grows smaller. You don’t fit into the version of yourself you’ve been portraying anymore.

    This piece is a reminder that the glossy, vivacious version of each of us is in there - and as you do uncover yourself, you may also scream to be covered up. What if they judge? Well, they may not speak to you, or fuck you off entirely, actually.

    That is a good thing, although finding a place within yourself where this is okay is so difficult. We’re mammals driven by connection, after all. But the others like you are out there, it’s just a tinier home. ”

    - Karlee Hankin

  • Timed prints are never sold again and only run for a short time. These prints will be available for only three weeks.

    Each print is only produced for the collector that places an order. The archive print is signed and numbered in order of sale; if you are the first to order you will receive number 1. The second order will receive number 2, and so on.

  • Tax is calculated within the price.

    Ordering from outside the UK:

    If you are ordering a print from outside the UK, please expect a further shipping invoice to be sent to you. An extra invoice may be required to top up delivery to your chosen delivery country. This invoice will be sent via email after purchase. The invoice fee will off-set the delivery price already paid, and only include a top-up fee. The artwork will be released for delivery once this invoice is settled, after the final timed print day ( 5th of January 2026). For any extra information, or to have shipping costs calculated before purchasing, please contact the merchant directly for an accurate delivery fee.

No. 3 I get to decide Limited Edition Print

No. 3 I get to decide

Signed and numbered
No.2 :40 x 30cm, ready to frame

Archive Quality.

£45.00
  • “No.3 I get to decide is a bold exploration of stopping others in their overstep and choosing for the self. Making the conscious decision to say no. Making a deliberate choice to trust your own mind and express that you don’t want something. It’s about listening to your own code, your own inspiration.

    In the throws of my life, because I am creative, I have had others frequently tell me what I should be doing. It’s not uncommon for creatives, as it’s a fluctuating career branch that points to being poor and struggling - very untrue in itself, but not to digress. People tend to offer unsolicited advice because you’re not doing things the way they think you could be. Or they way they would. To my shame, and pleasing tendencies, I have followed plenty of this advice when I have not resonated with it, sometimes for years, trying to make some sort of living and to please others.

    When I follow this path I’m actively circling the drain - mentally, so to speak. I break out of it from time to time. But I know I need that space. To create, to express the way I need to. I don’t make art because it’s just nice. I make it because I have to. Like many, I’ve held my tongue when being told what I must do because being perceived as a difficult (female) artist would be such a terrible crime.

    This work was a meditative practice on perceived control, perfectionism and thinking about my responsibilities. I wanted to hone in on the sense of what I want and need in an artwork. Not for anything, not to be manipulated or controlled in any way to make money - it exists only to be itself. We need reminding of that sentiment throughout society, in my opinion. Some might say it’s not finished, but they would be absolutely wrong. Its future is still ahead, wild and undone, but it is perfect just as it is. It doesn't need to be complete to be complete.

    For the record, I fucking hate being told what to do.”

    - Karlee Hankin

  • Timed prints are never sold again and only run for a short time. These prints will be available for only three weeks.

    Each print is only produced for the collector that places an order. The archive print is signed and numbered in order of sale; if you are the first to order you will receive number 1. The second order will receive number 2, and so on.

  • Tax is calculated within the price.

    Ordering from outside the UK:

    If you are ordering a print from outside the UK, please expect a further shipping invoice to be sent to you. An extra invoice may be required to top up delivery to your chosen delivery country. This invoice will be sent via email after purchase. The invoice fee will off-set the delivery price already paid, and only include a top-up fee. The artwork will be released for delivery once this invoice is settled, after the final timed print day ( 5th of January 2026). For any extra information, or to have shipping costs calculated before purchasing, please contact the merchant directly for an accurate delivery fee.

A gold-colored coin with the numbers '1.14' and text in reverse, alongside a smaller dark object to the side.

A print, signed and numbered

Certificate of Authenticity - certified by fingerprint

Two paintings featuring abstract, colorful star-shaped forms on dark backgrounds, displayed side by side on a red wall.

What will I get with my print?

previous prints


No. 1 barely there Limited Edition Print

No. 1 Barely there

Signed and numbered

No.2 :40 x 30cm, ready to frame

Archive Quality.

Buy the original

Sold out

  • No.1 Barely There was created at the height of the second mental health crisis in my life. It was a means of survival and release. The process became moments of catharsis, each mark smeared with a bare finger, in a raw and submerged reflection of fragility and endurance. I didn’t expect to be taken over the way I was, by this.

    A closer look will reveal the underlying anger in what appears to be a soft and slow motion wasting away. A sense of lifting the viewer up, toward the light, though if you were to really think about the angle, these beautiful creatures; ‘manta’ meaning ‘blanket’ in Spanish, were swimming away. That protection, leaving. Slowly and painfully.

    But continue, you must - to rise up. Throughout everything and anything that happens, we’re actually doing it together at least. We’re all going forward, each of us marked by our experiences, imperfect. What emerged from my own darkness is not just a single artwork, but the spark of something greater: the realisation that beauty, healing, and connection is in the going away - and then the rising up again.

    This piece marks the point where pain and loss transforms into purpose. ”

    - Karlee Hankin